Saturday, September 19, 2009

Self – Awareness


Self improvement can be seen in clearer terms as connecting to an inner voice or inner self. This means the need to understand the self – and by doing so, gain awareness on all levels – Spiritual, Mental, Emotional and Physical.

This also involves becoming more aware of one’s self and giving of yourself a more clearly defined identity.

Developing increased self awareness means that you are able to see yourself as you really are and this includes the dark side to yourself. By allowing yourself to honestly consider all aspects of yourself, you are able to gain self acceptance which allows for greater growth and further self development.

You function as cause, decide and create for yourself; when as effect, you react, you are not separate from the creator, you reflect the infinite intelligence.

In the book of Genesis, it is written “And God proceeded to create the man in His image, in God’s image he created him; male and female he created them” (Genesis 1: 27).

Though the passage speaks of the male transcendent qualities, indeed the very nature, the ONE, those that are beyond form.

You must look within to understand yourself; you reflect in every detail the characteristics of Omniscience, Omnipotence, and Omnipresence that epitomize the ONE.

Everything that manifests in your outer life is created by the assumptions and beliefs of your inner self.

In most cases, as an individual caught in the loop in which you believe external events and circumstances control your life. You accept the premise mandated by other circumstances and extent of existence. This action forms a seemingly endless cycle until broken by a more powerful belief. You must be in unity with the Universe within.

The stability you seek within yourself is achieved only when you understand the state of consciousness that stimulates inner unity and cooperation, then strive to live within this state.

This is the goal of self-discovery, a state that many claim to have achieved, but few actually have this essential ingredient that propels self to the level of master of love.

Love is here and now – with you. It is the glue that unites and supports all that happens in the world and in the lives of everything being, in that it defines the singularity of purpose and ways of life.

Love is an expression of unity. Most people believe love is an emotion, a feeling. In many ways, this identifies characteristics of this property of the infinite intelligence. But beyond what you experience as love from human state of consciousness, love is a force, an energy field, a vibration, different from the emotion that human consciousness attributes to it. You are the source of love and can tap its enormous power, the power of the Universe, only when your conscious vibration by choice of thoughts, is to love. Love is a pure force, energy directed equally into all thoughts, positive and negative.

Since you are able to gain awareness, you are able to give yourself more choices and also a greater level of control over actions and behaviour. This prevents you from making decision based on automatic reactive behaviour and you are then more able to make specific choices.

Once you have established “choice behaviour”, greater growth can be experienced and a happy, balanced life can be achieved. This gives you a more centered feeling and you are able to feel connected. This can empower you in different ways, connecting to your “inner” self can be achieved through various techniques.

As you do more things and see more things happen, you are inclined to believe more in building a dynamic purpose in your personal success; you must recognize this key. To succeed in life you build a dynamic purpose. Purpose is ideal that you seek.

GOALSETTING

Learn to set goals, they are your life. Take the time to consider your lifetime goals, particularly the six aspects of your life. Write them down, develop an inner image of your goal in each area. You must think seriously about what you want and to accept responsibility for what you get. Do not let previous patterns, of so called failure stop you from trying again what you may have as failure was probably the creator’s way of saying you need more information. So go get it.

These six aspects to focus are:

Spiritual: Set this goal in the form of things you are going to actually read or practice. For example, how many times you intend to read the Bible or Holy book and meditate on the teachings written? How often do you need to pray daily? Remember to reconcile all other goals with your spiritual goals.

Physical: Reconcile your goals by relating them to your commitment to serve the infinite intelligence in its work. These goals can be physical exercises, weight targets, whatever you choose it to be. For instance, you can seek to remain healthy to serve the maker of all life better.

Personal: Do not forget yourself and that you need to achieve personal fulfillment. Does writing, preaching, singing, painting, acting, gardening, dancing, and the like fulfill an inner need for expression? If so, see yourself doing it and taking action. Every time an idea comes to you, relate it to your spiritual aim.

Professional: School, training; you name it, then do it. If you can not take big steps in this or any other direction at least take small steps. Determine how it relates to your spiritual goals.

Financial: What are you trying to achieve? What do you need to live as you would like? Do not be afraid to ask for what you want. Write a clear concise amount of money you tend to acquire, name the time limit for the money for its acquisition, and state what you intend to give in return for the money, and describe clearly the plan through which you intend to accumulate it. Read your written statement aloud three times daily. Once after rising in the morning, once during mid-day and lastly before retiring at night.

Monday, March 24, 2008

women Fashion designers


LOla Faturoti

According to Liz Welch a writer with New york maga zine Lola Faturoti Hijack Ralph Lauren's audience after his show.Showing her own collection on the street outside Ralph Lauren's showin 2000,which would be a great stunt for any struggling designer determined to get her share of Fashion Week attention. But for Faturoti (pictured), dressed appropriately for her guerrilla action in camouflage and a black hooded sweatshirt, it was also an act of desperation.
In April 2000, the 34-year-old Nigerian designer's dreams came true. After a small show that earned raves in the press, one of her dresses landed in a Barneys window and then in the permanent collection of the Metropolitan Museum's Costume Institute. Vogue soothsayer André Leon Talley visited Faturoti's grimy West 29th Street studio and introduced her to advertising guru Peter Arnell. The Arnell Group gave Faturoti $10,000 for her next show in September and also arranged the location -- Nobu -- and the invitations. Swarovski Crystal co-sponsored the show, giving Faturoti $25,000 as well as $10,000 worth of material.
When Faturoti went to Arnell's office to look at the invitation, she recalls, "I asked why Peter Arnell's name wasn't on it. The art designer said, 'Mr. Arnell doesn't lend his name to all of the small projects he sponsors.' " But after the invitations went out, Faturoti says, "André phoned to say I was in trouble. I felt awful. But the only mistake I made was not calling Peter Arnell to say, 'Are you sure you don't want your name on this?' " Faturoti thought the faux pas wasn't fatal -- until she came out after her show to take her bows. "I saw that André and Peter weren't there," she says, "and I burst into tears." Though Faturoti is certain their absence was due to the invitation oversight, Arnell laughs at the notion, explaining, "I don't generally go to fashion shows. I was probably very busy that day." As for Talley, Arnell jests, "I imagine André was just sleeping late." (Talley couldn't be reached for comment, but his assistant insists that "André loves Lola.") The invitation gaffe, Arnell says, "was a miscommunication between her and the art director." He adds, "I'm very happy André and I were able to kick off things for her. She deserves it."
Sure that Arnell was angry, Faturoti counted on Swarovski to fund her next show. "But then there was all this hoopla with Alexander McQueen and Randolph Duke," she sighs. Swarovski co-sponsored or gave materials to all three designers last fall, but Faturoti was the only one who credited the company. Swarovski decided to put its sponsorship program on hold. "We love Lola," says communications manager Nadja Swarovski, "but we certainly didn't commit to her for a second show."
Faturoti heard the news in early January 2000. With three weeks and no money to prepare for her next collection, she decided to take to the streets. "I thought, everyone is coming to Ralph Lauren's show. The least he could do -- without knowing he's doing it -- is let me be a parasite on his back." She raised $4,000, bought material instead of paying rent, and created the thirteen "Medieval princess" dresses her models wore on West Broadway. And she was right about Ralph Lauren. According to his press representative, "Mr. Lauren was not aware of Ms. Faturoti's show and so is unable to comment on it." He'd done enough for her already.

Lola Faturoti is a familiar name in the USA and European fashionindustries but not among Africans or Africa's Fashion Industry. In 2000, Lola created a buzz when she upstaged Ralph Lauren's fashionshow, at New York Fashion Week, with a show of her own right acrossthe street from his show. Her move got her noticed and profiled innumerous top fashion publications including American Vogue, WWD andthe New York Times. Lola's buzz and quality work also helped get one of her designs to be a permanent fixture at New York's MetropolitanMuseum's Costume Institute. Nevertheless, despite all of herpopularity, Lola experienced difficulties typical of an emerging designer such as no financial backing and an inability to fulfil orders. She took a break from running her fashion business, moved to Italy, and designed, for three years, for other reputable designers.In 2005, Lola returned to the States armed with business skills and improved creativity.2007, Lola debuted her new collection. This year, she prepares to show her collection during the upcoming New York Fashion Week. In an interview, Lola talked to LADYBRILLE.com about some of her experiences in the industry and more importantly, she offers her views on what it takes for African designers to gain recognition in the very competitive USA/European fashion industries... started designing in 1993, studied fashion design in London born in London, moved to Nigeria, to Ondo town in Ondo state ,Southern part of Nigeria and returned to London when 17. She moved to New York in the early '90s after studying in London and in New York, she started working at a store called Charivari, one of the biggest stores.Actually then, bigger than Barneys and from there that started basically designing just forherself. Customers where coming and asking what she was wearing.Customers like Diana Ross. Just mention it,and every celebrity came into that place so that was her big exposure.She met Marco. Marco was the manager at Charivari. They became really good friends. Prior to working for Joseph in London. She was worked there before moving the USA and so she had a very good experience. Working for Joseph in London is a huge thing. Moved to The Usa and Marco got me the job and startedworking at Charivari. She was very fashionable, very stylish very trendy.She would design and wear her things and the customers would ask were they could buy what she was wearing. One day vice- president,Barbara Weiser of the store asked if she would like to start designing her own line and display her first collection and see how it goes. She did that and it was May of 1993.Overnight it became a different story from there. Every magazine . New York times, her first article was New York Times and then allthe other magazines came after. Then She did her first show October of that year and that was how she started.In the past she had lots of fashion shows. Since 1993, was basically showing till 1996. In 1997, got tired of fashion,because if do not have an investor in fashion, it is impossible to keep going because money put goes very fast in fashion.She got tired of basically working and not really making any money and always looking for money.Went into doing bridal work. Since 1999, was the end of the millennium, got inspired to do something and from there ,designed very strong couture, 9-11 looks, and exhibited it at theMilk studio in New York. That is one of the city's very popular studios and basically, all the important people came. From there,New York Times did a big story in which they chose 18 of the best designers from the whole world and they asked her if she would like to be a part of it. Theywere nine designers from America and nine from the rest of the world.The nine designers from America were Ralph Lauren, Calvin Klein, DonnaKaran, basically all the big designers, eight of them .In Europe, thedesigners chosen where Comme Des Garcon, Gaultier, AlexanderMcQueen--nine of the best designers. After all of these and a four page in New York Times where she was opposite Ralph Lauren, her design exhibited in Barney's for two weeks and now it is at the Costume Institutes for one of the best fashions during the millennium. The season after, received sponsorship from Swarovski Crystal for her show. Peter Arnell ,advertising guru and Vogue's Andre Leon Tally were ,instrumental in helping produceher show at Nobu ,Tribeca restaurant in NewYork. She got a good write up from Cathy Horn of New York Times. Then,took a shortbreak and in January/February of 2000 she decided wanted to show again, did not have any clothes, did not have any money,called a friend in Austria and he lent her some money and basically did a very strong look of another strong look and this was inspired by Leonardo Da Vinci. The story was of an African woman who fell in love with a painting by Leonardo Da Vinci and he created the look. The exhibition started with Alek Wek unveiling the pieces which are basically the models and this was the show that she did on the streets in front of Ralph Lauren that everyone was writing about. After the show,moved to Italy. She lived in Italy for three years working for other designers and did some shows in Italy and made lots of contacts. Moved back to the States in 2005 and started designing again last year, inspired by some of them. Also can see the way they were putting the Western fashion and incorporating it into their way of designing and thinkst it is very interesting but she thinks they are just concentrating on Nigeria. If they are, that is very good. If they are concentrating on the Western world and expanding, they have to look for a way of doing that. Some of them are doing it already by incorporating theWestern fabric with the African fabric,thinks it is also the silhouette. The shape. What she really like is the trims. The way they trim the costumes/clothing Nigeria, especially the Ankaras. She finds it inspiring the way they cut into the Ankaras and put the trims. She likes that a lot. But, thinks one thing they need to brush up on are Western shapes.According to Lola,publicity is very important. They need to put their name out there, especially coming from Africa. People need to see what they are doing and it is from there that they could start getting out there. It also depends on who they are trying to target. If they are trying to target the world, for example, then they need to move out of the African/Nigerian thing and move more into the world, basically involving outsiders to help them.If they stay only within the Nigerian or African PR/Sales or whatever,they wil always get to be in that market. But, if they for examplesay, "Okay, I am going to America to find a showroom that will take uson, you know then they have a chance of getting to the outside world."America is kind of like different,Lola opinioned , especially NewYork. If you go to a showroom and they see talent, they will take youon,if they see something different but wearable, they will take them on.I think what African designers in Africa are doing, Africans in the Western world would really like tohave some of those things. For example, my sister lives inWashington DC. She is very fashionable, she is a very smart womanand she wears a lot of Nigerian clothing. She has to send people toNigeria or ask my mom to send her some of these beautiful things. But,if a designer comes here that they know of, I am sure she would rather prefer to buy it over here than having my mom send things to her.Her current upcoming Fall designs has Ankara designs on silk fabrics,also had other African inspireddeisgns. One of the shoots WWD did for a write up on her also has an Ankara top her created but in a Western way. She wants to be anambassador for fashion from Nigeria in the Western World. I have to create not only for my people. I have to think of everyone in thewhole world and how theycan see my work and say, "I could wearthis." My biggest clients for the prints last season were in Japan and Los Angeles. They went for it even though the tops were boubou shaped but in a Western way so they went for it because they can relate.I want the whole world to wear my collection. Mydream right now is to be financially successful.Lola has never showed in Nigeria or anywhere in Africa. I will show in the next five years.I would like to show kids in Nigeria and around the world that if you have a dream and you put a bit of energy. Actually, not a bit of energy.There will be a lotof times that you will be like, "That's it. I am not doing it anymore!" But, if you really believe in yourself and you keep going,you will make it one day. That is what I really want all kids to know.They can be anything they want to be.That isimportant because the universe has given a lot to me in my life andthat is something I would like to do, to give back.

Thursday, March 20, 2008

Weinberg on Writing: Useful Resources for Writers 1.

Weinberg on Writing: Useful Resources for Writers 1.

Weinberg on Writing: Why I Am Now Writing Fiction - 1

Weinberg on Writing: Why I Am Now Writing Fiction - 1

Tuesday, March 11, 2008

Poetry

LIFE
By Dorothy Okpa
I flow in the Ocean of Mercy
I slope from the Ordeal of Mess
Flow and slope i go to and fro
Ocean Got no enemy nor friend
Life is like the flow of the Ocean
Yes,the waters reach all
Life tosses left and right,back and forth.
I live in the World of pain and tribulations
People expect much with no understanding
Wanting a Perfect Being
But the reality is that SOUL is eternal
It goes back HOME to its CREATOR
That is the giver of Life whether We like it or not


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Untitled
by
Dorothy Okpa

Humanity finds it hard to be detached about life
The mind makes attachment to materiality
Love given is thrown back in the face
Haba! how can this mentality be apprehended
I wonder and ponder about it all.
Man-made beauty brings pain
And man has to preen himself in the game of life
What is there to do to keep the sanity
Man`s struggle ends in vanity.
The world is not ours you see
WE are in the beingness of nothingness
SO i wonder why we keep flowing in sea of nothingness
Nothing,absolutely nothing.


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EGUNJE
by
Dorothy Okpa

Chop-i-Chop na you biko!

corruption everywhere

dignity gone with the winds

why can`t Man realize that now

We need to make the best of

KI Ni ode eyin people

Chop-i-chop should not be the order of the day.

This moment we should build a world without tears

a world of respect for others whatever your colour

We need to make that change there is no superman out there

it s you that can make a difference

I say now brother ,sister fight the good fight

Abasi de see Us all o!

You are a mirror to a child

children are replictions of our actions

what legacy do we leave behind?

How do we resolve the issue of Egunje?

It has become as culture as the Ikpe masqurade

Egunje no de pay o!

Tuesday, January 29, 2008

Future of silverbird tv







INTERVIEW
The president of silverbird ,GUY MURRAY BRUCE ,a down-to -earth Yenegoa man bold paths in the year. with opportunity-seemingly at every turn of the entertainment industry he gives an expert opinion in an interview held in his office at the Silverbird`s studios.
LEADIAHA:Sir, how did you get started in the entertainment industry?
BRUCE:First of all, the company is 26 years old, I joined the company in 1992 January, it has gone through a phase in the entertainment industry where Silverbird used to bring in foreign Acts from the U.S. in the early eighties. Silverbird was involved in Nightclub then got involved in Beauty Pageants when I joined in the nineties , we were involved also in the beauty pageants industry but now we are in the syndication of Television shows. In 1997,we were granted a radio license which started radio staions,Rhythm93.7 Lagos and we got two more licenses in Port-Harcourt 2000 and 2001 respectively and 2003 we applied for a TV license .We have been running our beauty pageants,2001 we sent delegates to Miss World Pageant to represent this part of the world which was won by Agbani Darego. Ever since then, I think that would probably be the turning point in our business, we got the recognition, we got the support and 2004 we came up with the Cinemas “Silverbird Cinamas” Victoria Island as well as “Silverbird galleria” which is one of its Kind in the country. We have expanded ever since, then in the last five years in the business immensely. The entertainment industry for us is not all about beauty pageants or glamour it has become a sort of fun, entertainment for kids too, education for the kids, the mixture of the cinemas, the pageants recently had a “MISTER NIGERIA” successfully to face the contest for the “ MISTER WORLD “china February 2007.Basically uplifting Young people and saying Heh! We got talents in this country. We are going to take it further to the outside the world. And we are also promoting family values. Parents are shown ways to promote family values, is the only place parents go in the country for two hours and relax. In the past, parents go to social affairs while the kids stay at home to play Nintendo games, but now today they go to the movies together and which create family bond for some people and we are happy to be part of that. We obviously don`t intend to stay where we are, we are expanding, we are building more malls in Abuja and yenegoa. We are doing more TV stations and we also going into serious entertainment, we have gained the rights to various international events like ”WORLD MUSIC AWARDS” as you see right here(shows a catalogue),we already have contributed as you know to “MISS TOURISM INTERNATIONAL”,”MISS ECOWAS”. There are a whole lot we can do .What we do is promoting the country at the same time entertain people.
LEADIAHA:Don`t you think you are more into the higher and middle class your content and events are not for the ordinary man on the street?
BRUCE:What you see in showbiz, people have to idolize an icon, would you idolize an average looking person or someone who is good looking? If it was a beyonce that goes on stage people would look, stare at her, imagine it wasn`t Beyonce, imagine it was someone who does. it does not work like that. Anything goes on stage would effect self probably not? I don`t think so. the person must have a sort of appeal which people in the lower sector can look up to.
LEADIAHA:How often do you surf the web? How do you see this form of the media being utilized, which is not properly used in this part of the world, am wondering how you plan to bring young people unto the internet, get them to upload videos or whatever, to participate one way or the other in your designed programmes through cyber cafés, home and so on. Using this medium people can make good use of this platform. So how are you in your little way to bring radio and television on the internet and the mobile phone?
BRUCE:Well we have just started a deal with jumptv where we would have our local content on the internet and so our videos would be streamed in the internet, you can watch silverbird tv anywhere in the world just like we have our radio stations on jumptv that is the next level we on.
LEADIAHA:What about the mobile phone, especially with mobile social networking happening in the world?
BRUCE:We need 3G to get on board ,we can’t do much about it.
LEADIAHA:What efforts are you making with our local service providers?
BRUCE:NO! NO! the telecom companies must have the 3G band for us to work with, they don`t have it.
LEADIAHA:I thought globacom has got something close to that?
BRUCE:Oh! we would talk to them and till it happens, the infrastructure has to be in place.
LEADIAHA:Basically what is your goal ten years from now, what do you see silverbird becoming?
BRUCE:Waoh! Since the world has become a global village we can not be isolated too, we have to be in all media platforms, we have to go beyond the shores of the country and explore other places globally.
LEADIAHA:What brought about the concept of “danceathon” of Nokia Guinness records?
BRUCE:It is just an event, its just like any other event you think about.
LEADIAHA;How did you plan and organized everything?
BRUCE:It is just an event, you think about and then we had to get Guinness records people involved. We wanted to set a new record .So we wanted to set the longest world records which was 72 hours and to rest for two minutes. We spoke to them, organized it then they came here and monitored us and we set a new world record .it just shows we have a lot of talents in this country.
LEADIAHA:So what is the next plan?
BRUCE:We are going to do another “Danceathon” but this would be the longest for a single person.

LEADIAHA:A single person?

BRUCE:Yes! Not group, the last one we had was for group where we had a lot of people standing and all that.
LEADIAHA:What is the age limit?

BRUCE:There is no age limit. This is just going to be on individual basis.
LEADIAHA:Is there room for an old woman?
BRUCE:No age limit, anybody can come, for the world record is a 100 hours, we want to beat 100hours and that is where we are.
LEADIAHA:Sir, what has been the challenges you have faced operating an entertainment empire in Nigeria, what efforts have you made on your part to build the industry?
BRUCE:The biggest one s the telecommunication industry, mean the telephone lines, the traffic, if you want to have an event, you can’t move, you are in a hurry because you are stuck in traffic, those are state problems, those are the country’s problems. Another would be sponsorship, sponsorship to small companies from the big companies is limited, everybody is chasing to catch on investors which more focus on same companies such as Nigerian Breweries, wapco and so on.
LEADIAHA:Sir, what do you think are ways small business can be encouraged in the entertainment industry, especially tourism players? how do they sell our local resources to people outside Nigeria or get other Africans to come patronize us as Africans, especially tourist areas we have in Nigeria?
BRUCE:First of all, we have natural beaches, right now the coastlines which you know is untapped ,if people were investing in hotels in the shorelines of Nigeria sure make money for us ,what that means is that the guy in Europe can come to Nigeria during the winter, leave in the winter and come for the summertime and face the ocean, softly you create tourism, you are making the local taxi driver happy, the entertainer, the fisherman, you make the guy that sells food in the market happy, business going to boom, the guy that sells transport could help mobility increase, we could generate a lot of funds that way outside the country that would put Nigeria in the world for tourist attraction .Take care of the security, water, electricity and roads, put the hotels there let us start marketing this place as an haven, people should not be running to the Bahamas they should come to Lagos in this country Nigeria will start to see the shorelines doing great. Why is Ghana doing well in Tourism? Because they are planning ahead.
LEADIAHA:Sir,what do you think of Football, since is a form of entertainment?
BRUCE:Football is just an aspect of entertainment.
LEADIAHA:In this part of the world we know how crazy we are about football how can we fulfill that vault to promote team patroticism since we are into Arensnal, Manutd, Chelsea and so on. Don’t you think there is an Hunger to be met? How do we develop our soccer culture, since is an aspect of Entertainment which has not been properly utilized? What set should young people contribute to build the industry?
BRUCE:First of all, let us develop our football leagues here than screaming Arsenal, Chelsea and all that you could be fans but we should have premiership of Local clubs, Glo company have been there in terms of prompting football in the country and if we had such companies promoting local clubs in the country, then focus would be on Nigeria, and all its premiership games, if we had clubs don’t see why there can not be Nigeria’s premierships .
LEADIAHA:How can we do this without waiting on the Government, we as local people?
BRUCE:Well is for the local people to have the initiatives to take their ideas to your big sponsors say to them look I have a great idea want to form a football club is going so much money I plan to do xyz and they buy into it they sponsor it that is how you form a great club and from that you have gate tokens from the stadiums, you have endorsements, potentials from the players. Let’s say you go to yaba ,you get from yaba whatever you want to call it ,you get a celebrity player there, who is endorsed by Pepsi, Coca cola whatever that is how one of the great teams are formed.
LEADIAHA:What advice would you give a young person that wants to be like you, want to come into the industry?
BRUCE:That wants to be like me? Wants to be succeed ?You got to be persistent in whatever you do, got be very patient, good things don’t come overnight ,you take your time, is not an overnight thing, if you want quick business there is 419,of course it has a lifespan like a fly. Flies, fall, they fall around all the place and head no way, but if you want a real business it takes time, takes planning, takes strategy, good marketing and with persistence and determination, hard work you should succeed.
LEADIAHA:Sir, for an ideas person who wants to start a business,how do I convince a bank to loan me money to fund my lofty ideas?
BRUCE:Talking of banks that is a different topic entirely, I have no control , CBN has to deal with those business because is a fact that is a problem that has to be addressed but that is a CBN problem, I only go by what I know, leave the banking issue out. They would not help, banks are know to only help big people, they can only help these big people because of the large collateral they can get.
LEADIAHA:How do i go about on my own ,I can’t rely on a bank ,got no rich relative, whatever?
BRUCE:Put your idea on paper, go to a company, you say could you sponsor this event or this project for me? And take it from there, and you slowly build an empire.
LEADIAHA:So I should start small without the help of a Bank?
BRUCE:Exactly, go with those that already been to the banks,(All laugh)that is very my suggestion for now unless you have large collateral you want to give the banks.
LEADIAHA:On the last note what is the last word to the aspiring young entrepreneur out there?
BRUCE:Determination and hard work, nothing else, you believe in what you do.
LEADIAHA:THank you for granting us your Time.BRUCE:You are welcome.

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leadiaha
Yaba, Lagos, Nigeria
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